The SDX was configured as two separate libraries, one for each studio. Combined, it gives you a truly diverse and all-encompassing collection of drums designed to cater to any facet of today’s fragmented scene – from the most brutal, blast beat-ridden and breakneck-speed death metal to hard-hitting metalcore, hardcore and all the fusion-inspired hybrids of progressive metal. i'd love to try some sdx packs, but i already have way too many and it's kinda dumb at this point.The Death & Darkness SDX merges two world-class studios with two of today’s most in-demand modern metal producers: Mark Lewis (Cannibal Corpse, Whitechapel, Coal Chamber) and Tue Madsen (Meshuggah, Behemoth, Hatesphere). alt rock, post rock and indie folk are pretty sweet. and since I'm more familiar with those, i tend to seek those out first, rather than sift through the billions of sd kits, many of which are quite good. but i haven't gotten too deep into it maybe my sticking points are addressed in there somewhere and i just never noticed.Īnd it was just my bad luck and semi compatibility with my drum pad, but the midi triggering experience wasn't the best.Īs sounds go, i love my old ezx kits. which makes sense given how they are recorded, but if you are giving us all this fancy ass control, why can't we just have a fader to bring down an overly bright ride, or make a tom pop just a little more? you have to get in there with the room mics and the effects they give you, as you would in real life, but that's one convenience i wish they'd just give us. another irritant that carries over into sd3 is the inability to tweak the volume of a single piece of the kit. I don't regret sd3 (as expensive as it was) but i wish i could bring in my preferred plugins to work with it rather than having to use theirs, or just messing with the drum bus.
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